BJA
Billie Joe Armstrong
Tone inspired by "Brain Stew"
Amp Settings
Gain
70
Bass
50
Mid
65
Treble
55
Presence
60
Master
55
GarageBand Settings
Amp Model
Vintage British Stack
Real-World Equivalent
Marshall Plexi 1959SLP (modded)
EQ Type
Vintage
Cabinet
4×12 (matched)
Mic
Dynamic 57 (on-axis, close)
Pedals
None — amp gain only
S
Slash
Tone inspired by "Paradise City" — Intro
Amp Settings
Gain
30
Bass
45
Mid
60
Treble
65
Presence
55
Master
40
GarageBand Settings
Amp Model
Vintage British Stack
Real-World Equivalent
Marshall Plexi (Super Lead)
EQ Type
British Bright
Cabinet
4×12 (matched)
Mic
Condenser 87 (slightly off-axis)
Pedals
None — guitar straight into amp
Reverb
Built-in amp reverb — 15-20% (studio ambience only)
Note
Likely double-tracked; any space is mix-stage reverb
AY
Angus Young
Tone inspired by "Back in Black" — Main Riff
Amp Settings
Gain
50
Bass
50
Mid
50
Treble
50
Presence
5
Master
85
GarageBand Settings
Amp Model
Vintage British Stack
Real-World Equivalent
Marshall 1959 Super Lead (stock, non-master-volume)
EQ Type
Vintage
Cabinet
4×12 (Celestion G12-65)
Mic
Condenser 87 + Condenser 414 (dual mic setup)
Pedals
None — guitar straight into amp (rhythm)
Note
Solos used Schaffer-Vega wireless (adds compression + mid boost)
AT
Alex Turner
Tone inspired by "Do I Wanna Know?" — Main Riff
Amp Settings
Gain
40
Bass
60
Mid
60
Treble
45
Presence
40
Master
60
GarageBand Settings
Amp Model
British Combo
Real-World Equivalent
Selmer Zodiac Twin 30 (1960s British 2×12 combo)
EQ Type
Vintage
Cabinet
2×12 (matched)
Mic
Ribbon 121 (slightly off-axis — keeps it dark and smooth)
Pedals
Tube Burner — Drive ~50, Tone dark (valve distortion, à la Coopersonic ValveSlapper)
Amp Tremolo
On — Depth ~25%, slow-medium speed (the subtle throb under the riff)
Note
The record's riff was cut on a 12-string — double-track it an octave up, low in the mix, to fake that shimmer
More songs on the way. Each one gets researched properly before it goes up — that's the whole point.